![]() Media captured by mobile phones and many digital cameras. The aesthetics of the screen from high end broadcast quality to low bandwidth, highly transportable Less importance that the usefulness of the information, which has also had an impact on rethinking Occurred to such an extent that now many large media outlets (CNN, ABC, Nine News) requestĪudiovisual media from citizens who witness newsworthy events.101 The quality of the media is of protests, media attention, successful political responses), by having the capacity toīroadcast, distribute and manage the flow of information via the Internet, mobile phones and otherĭigital media and how process this has generated new forms of creative and cultural expression.įor example, the practice of citizen publishing and documentation of significant events has However my direct concern is how the activist utilises the technology as a means of achieving Theĭistinction between the real and the virtual has become more nuanced because of these tensions. Have all become part of the everyday practice of defining and locating various spaces. ![]() Held computers, I-phones, I-paqs and mobile phones accessing the Internet and GPS technologies The distinction between how we have shifted in our thinking about space is very significant - hand MICRA, Inc.ĩ8 Lev Manovich, The Poetics of Augmented Space: Learning from Prada p.1., Downloaded from Goes everywhere in our pocket, potentially recording our experiences and our movements.ĩ7. The way I see augmented space is much more simple and pervasive - as a mobile device that Imagines electronic architecture, large video screen bombarding our senses as we move through theĬity. Term ‘augmented reality’.100 However, the augmented space described by Manovich is one that Manovich states that he derived the term ‘augmented space’ from an earlier and already established That is, physical space filled with electronic and visual information.99 It is quite possible that this decade of the 2000s will turn out to be about the physical. The images of an escape into a virtual space that leaves the physical space useless and ofĬyberspace - a virtual world that exists in parallel to our world - dominated the He outlines that there has been a significant shift in how we imagine ‘virtual’ space Lev Manovich’s 2002 text The Poetics of Augmented Space: Learning from Prada considers the notion of ‘augmented space’ as a concept that shifted the notion of a clearĭivide between the virtual and physical world to spaces that are affected and enhanced, ‘augmented’īy technology. World outcomes is co-dependent and critical for the implementation of any successfulĪctivist/artistic intervention. This notion of augmentation is useful in this study as the relationship between net-activism and real (Mus.) In counterpoint and fugue, a repetition of the subject in tones of twice the (Med.) The stage of a disease in which the symptoms go on increasing. (Her.) A additional charge to a coat of arms, given as a mark of honor. The state of being augmented enlargement.ģ. The act or process of augmenting, or making larger, by addition, expansion, or dilation Ģ. Transformed how space is imagined and traversed.Īug`men*ta”tion\, n. Occupied by net-activists and net-artists who, by way of participation, have significantly I identify these notions of space as hybrid and augmented spaces which are The types of movement or traffic of people, ideas and information that exists in the realm of theĬyber and physical. Which consists of cyberspace and it’s location within the real world. This will be achieved by defining the range of discussions about notion of space I do this by continuing to build on the complex relationship between net-actĪnd net-activism by describing the places where these events and this work is manifested, producedĪnd distributed. ![]() Theories about the interrelationship between place and space in the context of virtual and ‘real In Chapter 2, I question whether net-activism and net-art has significantly shifted contemporary
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